“Terrorsploitation”?

Excerpt:

Scrolling the other day through Netflix’s mostly unimpressive offerings, I noticed something entitled London Has Fallen, a thriller about a terrorist attack on the British capital. I hadn’t heard of it before. I looked it up on Wikipedia. Released in early March 2016, it’s a sequel to Olympus Has Fallen (2013), which is about an assault on the White House.

The A.V. Club, according to Wikipedia, picked London Has Fallen as its “worst movie of the year.” Variety called it “terrorsploitation” and “reactionary fear-mongering.” I had the sneaking feeling that it would be just my cup of tea.

I was right. It proved to be a rousing specimen of the genre, complete with terrorists armed to the teeth (machine guns, flamethrowers, hand grenades); shootouts and car chases; helicopters dodging missiles in the sky over London; and much else. Most important, the bad guys were the people who should be the bad guys, and the good guys were the people who should be the good guys. The picture even ended with Morgan Freeman, as the vice president, saying “God bless the United States of America.”

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